Man,
I love stuff like this! A hidden gem of a song during 1974, which
appears to have been a slow recording year for Vangelis, done prior
to his big move from Paris to London. I admit to have never heard of
François Wertheimer before this single, although he is known
as a top-notch song writer in France, having written songs for French
singer Barbara in the early 70s. Sometime in 1974, he had a chance
meeting with Vangelis and ended up recording this one-off single, and
only the A side at that, titled "Pour un Peu Mieux que
D'habitude". For this particular single, I was lucky enough to
also get a press sheet, which reveals a little bit about Mr.
Wertheimer and his meeting with Vangelis. Interesting to note that he
is still recording, having done the soundtrack to the recent French
documentary "The Gleaners and I" in 2000.
The following
is a translation of the interesting sections of the press sheet.
The first part is biographical:
-
Born on May 4, 1947
-
Normal childhood
-
Adolescence
filled with indecency
-
Studies:
English, by chance and correspondence
-
During, before
and afterwards: figure skating, hockey, classical music, theater,
magic, singer of suburban rock'n'roll group
-
Founder of the
Jean Sans-Terre troop (mime, comedy, dance, etc.)
-
Director with
the research centre of ORTF.
-
Writer of a
musical in 1970: "Pop'era Cosmique"; banned ten days after
the premiere.
-
Makes a
fortune, and loses it.
-
Decides to
occupy himself with songs that he has written during past ten years.
-
Continues to
write for others
-
Writes the
last LP of BARBARA, for BARBARA
-
Records his
first album
-
Meets Vangelis
O. Papathanassiou
-
Records with
him "Pour un peu mieux que d'habitude
The second
section is a little more "poetic":
It is with the
small sun, the pale paddle of the cities
It is in the
early morning, on the banks of the large river,
I went in my
canoe on my quiet path,
It sailed
towards the banks when paddled anew
Suddenly it stops
Suddenly I freeze
And like two
statues waiting in the garden
The dew which
awakens the pink on its stem
Vangelis
spoke, I listened to his song
And the Seine
and the wind sang in unison
And nested one
evening, in Davout Studio
We made this
child who presents himself to you.
So, what have
we learned? Not much, but we do see that the song was recorded in the
same studio as the Earth album. But what of the music? Unlike the
Sammy Gaha track from the same year, where Vangelis did not play a
prominent musical role, this music is all Vangelis, beginning with
the slow, pulsing beat throughout this moody piece, to the choir that
begins the track. The song is beautiful, perhaps similar to a slow
track he would have done with Claudio Baglioni. I'm listening
to this track as I type this, and I must say, it is a crime that this
track slipped into obscurity. [Thanks to Roland Weißflog
for the scan of the test pressing 7"!] |